ENTERTAINMENT WEEKLY: What was your biggest fear going into [opening] weekend?
CHRIS WEITZ: I didn’t have any particular fears. The tracking numbers were enough to indicate that I wouldn’t be letting the studio down. But if one could imagine their biggest fears, it would be complete rejection of the movie, by the fans. What I’ve realized over the last week is I won’t necessarily get good reviews for this movie. Having swallowed that, this was made for the fans, and if you don’t get it, then you don’t get it. [My Twilife: LOVE that answer Chris, you are so right!]
Did the negative reviews surprise you?
Nothing surprises me in terms of reviews. Having been a reviewer myself, there are only two ways to spin this story. You can either be the one guy who says this is a great movie, or more likely, take a more jaundiced view of the whole thing. And given the media blitz that has accompanied New Moon, it’s rather unsurprising. I do wish there was more appreciation for cinematographer Javier Aguirresarobe. I think he’s a genius and I think he made something beautiful.
It’s interesting then that you went forward with another book adaptation with another studio, considering how badly it went the last time.
I really liked the actors. I saw the first movie and I thought there was something special about Kristen [Stewart] , Rob [Pattinson], and Taylor. I liked the emotional tones to the book. It was stuff I knew how to do. I had this theory that if you stay true to the book, you would win. You would not only win with the fans, but other people will get what the fans care about. If the box office tells us anything, then it’s a win. It’s made more in its first day then the entire domestic run of Golden Compass. It’s extraordinary. [My Twilife: It is really extraordinary and I love how Chris really cares about us as fans!]
The lows had to be shooting at 5 a.m. in a forest and struggling to get certain shots so a sequence would string together properly. It was a very cold forest in British Columbia, and we knew we’d have another night shoot just like it the next day. The highs were the moments of real identification with the actors. With Taylor, the moments early on when he realized he was going to do it. That was very gratifying to me.
What do you think is Taylor’s best scene?
When he jumps into Bella’s room. There is so much pathos there even though it’s melodrama, there’s something touching about it. Or maybe the last moment he has, just when he says Bella’s name. You sort of understand just how crushed he is at that moment. There are a few times where he’s absolutely that guy and it’s really lovely. He’s that guy for the fans and that’s what I always thought he could do.
Do you think Kristen evolved as an actor in this movie?
I’m not sure she evolved as much as she had room to run. She’s a thoroughbred as far as actors go. To me, she can do know wrong. The experience of working with her and the caliber of work she was doing was pretty extraordinary. Let’s put aside girl in love with a vampire, her ability to manifest these emotions below the surface, above the surface just to get things right. She’s extraordinarily exacting of herself and in those moments where I was able to give her the room to do that are things I’m very proud of. That’s a high point.
Do you think you’re going to get some boys into the theater for New Moon?
I think so. I just hope it’s not just guys who were dragged there. And if they were dragged there, I hope some part of them is enjoying it. And I hope they can admit it if that’s the case. But if not, I hope they have a nice night with their girlfriend. I had an imaginary ad campaign saying “Will your girlfriend go in thinking of Edward, Jacob, or you.” I thought that would force men to go. [My Twilife: LMAO That is too funny....true, and very funny!]
Read the full interview here.
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